![]() Art recreation is also offered for people oil paintings if need to change technique, style, or colors. Each painting reproduction of Wanderer above the Sea of Fog will be done by experienced and talented artist, totally hand painted with eco-friendly oil paints on canvas.Īll oil painting reproductions of Wanderer above the Sea of Fog can be customized with various options of sizes and frames, original size 94.8 cm (37.32") * 74.8 cm (29.45"). Besides, recommend you to view other painting artworks from Caspar David Friedrich.ĭream to have a better art reproduction of this 19 Century painting for home decoration or gift giving? Please send your inquiry to us if interested. This kind of people oil paintings is very common in visual art. The painting now is collected by Hamburger Kunsthalle. Overall these two works are very closely tied.Wanderer above the Sea of Fog is a famous oil painting, originally by German artist Caspar David Friedrich in 1818, with the style of romanticism. Both of their works demonstrate feelings of uneasiness and comfort, and Friedrich’s work could be seen as an exact depiction of Victor’s experience. There are many ways that the work of Caspar David Friedrich and Marry Shelly are linked, but the most prominent is through the theme of the sublime. The man seems to be experiencing the same sublime sight that Victor sees on his travels. This painting shows a man standing and looking out over a sublime mountain range, which looks as though it could be the Alps. The last connection between Friedrich’s painting and Shelly’s Frankenstein is that the painting could be a direct description of Victor’s journey to the Alps. An example of this is when he travels to the Alps on a vacation. Victor uses the sublimity of nature to distract himself from reality, and to calm his mind. This is also the case for Victor in Mary Shelly’s Frankenstein. These things add a sense of beauty and serenity to the scene, that comfort the viewer, and somewhat distract them from the thought of the dangers of the image, and draw them towards the beauty of it. The use of a slight amount of yellow amongst the clouds softens the harshness of the cool blues and creates more comfortable experience for the viewer. The sublime power of nature is a dominant theme in Friedrich’s paintings. In the painting a sense of comfort is brought about through the lighter colour pallet and the smooth brush strokes that blend the foreground into the background. Wanderer Above the Sea of Fog, painting by Caspar David Friedrich completed about 1818. The next way that the sublime is represented in these works is through a sense of comfort and beauty. In both of these works the sublime is leading to a sense of unpleasantness or uneasiness. As Victor states, “breathless horror and disgust filled my heart” (Shelley 58), much as the viewer feels towards the idea of falling from the dangerous cliff. He is struck with a sense of uneasiness cause by the sublimity of the creature. ![]() This sense of uneasiness in also present in Mary Shelly’s Frankenstein, such as when Victor sees his creation open its eyes for the first time. He accentuates the idea that a fall from the high peak would be terrifying and painful, by creating the sense of a long, sharp drop over the side of the cliff. In Friedrich’s painting, he creates a sense of uneasiness through the jagged rocks and the overall rugged look of the landscape. The first way that the sublime is represented in these two works is through a sense of uneasiness. Wanderer above the Sea of Fog (German: Der Wanderer über dem Nebelmeer), also known as Wanderer above the Mist or Mountaineer in a Misty Landscape, is an oil painting c. These two works are very closely linked through the theme of the sublime. Friedrich’s painting is also a literal depiction of Victor’s journey into the Alps, and it depicts the sublimity of it. In both of these works the sublime brings uneasiness, but also comfort. When comparing Mary Shelly’s Frankenstein and Caspar David Friedrich’s Wanderer Above the Sea of Fog there is one main theme that they share, the theme of the sublime.
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